Review: After Moses: Prodigal by Michael F. Kane
Katie Roome
January 7, 2025
After Moses: Prodigal is an exciting sci-fi adventure set in the dark underbelly of the solar system. Featuring crime syndicates, gravity hijinks, and found family, this story is a compelling sequel to After Moses.
Here at the Periapsis Press blog, we only post reviews of works we recommend, so you already know I enjoyed After Moses: Prodigal. I encourage you to check it out!
Disclaimer: We received a copy of this book from the author. This in no way influences our opinions. (You can request a review here.)
This review contains minor spoilers.
After Moses: Prodigal Publisher Description:
Once all Roads led to Rome.
Now they lead to Ceres.
The dwarf planet Ceres, once thought of as little more than the biggest rock in the asteroid belt, has become humanity’s most populated world in the years since Moses’ departure. The desperate and needy of the solar system end up in syndicate run cities far beneath the surface. Few ever see the light of the stars.
The crew of the Sparrow, chasing rumors of a long lost piece of technology, turn to Ceres and find it stands on the brink of the abyss. Powerful crime groups are ready to go to war over old grudges and a misanthropic terrorist aims to use the chaos for his own ends.
In the midst of all this, Grace Anderson finds herself separated from Davey and stranded on the very streets they grew up on. Despite being the youngest member of the crew, she’s not without her own part to play in the fates of Ceres, but that’s only if Matthew and his crew can stop the world from tearing itself apart…
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Crumbling Ceres
The setting of Prodigal is more focused than it was in After Moses, with all of the jobs occurring on the dwarf planet Ceres. Where the settings of After Moses bring to mind the American Old West and particularly the frontier, Ceres emphasizes the decline of civilization. Rival gangs, orphans begging in the streets, and deteriorating infrastructure all contribute to a higher tension threshold.
The thematic struggle between lawlessness and order still exists, but it feels like lawlessness has the upper hand here. The greater the potential for danger, the greater the potential for adventure!
I particularly enjoyed the action that incorporated the low-gravity areas of the city and how the characters utilize the variations in their environment in order to meet their goals.
Drama-Free Found Family
The characters remain a delight. In this sequel, they are still distinctly likable, and their interactions with one another remain drama-free. Their relationships are not without tension, of course. There are two teenagers in the mix, and Yvonne is struggling with her past. But the reader is never asked to doubt the strength of their bonds or subjected to emotional manipulation for its own sake.
Those bonds are distinctly familial in nature. “Found family” is a popular trope, and here we see it employed beyond the usual “we are all such fast friends.” There are the siblings, of course—Davey and Grace—who found one another on the streets and have stuck with one another through thick and thin ever since. But Matthew’s relationship with Abigail, lacking a romantic component, has settled into something resembling siblings as well. Their banter and teasing feels comfortable; their implicit trust in one another, stronger than mere friendship.
Matthew falls naturally into a father role: he is the legal guardian for the teens, the authority figure on the ship, and the only adult male in the group. This is a role he began to embrace in the first book, and he continues to take it seriously.
Perhaps more surprising is Yvonne’s emergence as a mother figure. When Davey is arrested, he calls her first, rather than Matthew, and one of the officers assumes that she is Davey’s mother. She has taken on several roles, including cooking, gardening, and maintenance of the ship (their home). Her concerns tend to be with the emotional wellbeing of the rest of the crew, and as we saw in After Moses, she does tend to pry. It will be interesting to see how her character develops as she continues to wrestle with her own secrets.
Episodic Pacing that Ramps Up
It is intriguing that with such strong character relationships, most of the story has them separated. Grace is lost on her own, taking care of a small group of orphans and dodging slavers while trying to get back to The Sparrow. Matthew and Davey are working to find her, while searching for a piece of W’s puzzle, and stop a quickly escalating gang war. Yvonne and Abigail remain with the ship and take on the occasional small jobs to keep them in the black, bringing Yvonne face-to-face with the man who killed her husband.
These groupings result in an episodic rhythm similar to the first book. However, the story takes place on a single small planet, subjecting the crew to similar sources of tension, such as antagonists and low gravity areas, and as a crew they share larger goals. These make Prodigal feel more streamlined than After Moses, with a higher tension climax for the book as a whole.
Prodigal
There are a number of “prodigals” in this story. Rival crime syndicates each have their own, although what exactly they refer to is a mystery initially.
White Void has kidnapped the granddaughter of the Morgensen family—the first prodigal. The Morgensen family is responding with a prodigal of their own, and it is a weapon they are confident will end the war between them.
But perhaps the truest prodigal is Grace. She is lost, and although it is not to “wild living,” she still makes some choices she regrets. She has anxiety about some of the crimes she commits while separated from her family and how it will impact her reception, particularly with Matthew.
Matthew reflects the father in the Biblical parable, welcoming her home with open arms. he reassures her, “There is nothing you could do to make us stop loving you.”
Unchanging Love
This idea seems to be a greater theme of the series. In After Moses, Abigail fears what Matthew will say when he finds out she is a paraplegic, but he does not kick her out or resent his reliance on her on the job. Knowing her weakness lets him care for her better in his contingency planning.
Matthew similarly kept secrets from his crew about his past. When the whole story is laid out for them, he tells them they do not have to stay “under a captain that pretends to be things he’s not.” He, too expected his past to change his relationship with everyone in a negative way. Instead, sharing it with them improves it; they are able to help him with his crazy scheme to right some of the wrong.
Forgiveness
In order to have love that is not affected by sins and failures, there must also be forgiveness.
Grace’s grandfather looks to make up for his past mistakes by sacrificing himself. But Matthew does not permit it. He points out, “We don’t make our own atonement….You’re not here because we expect you to make things right. You cant do that. You’re here because of Grace. She wants you here. Evil deeds aren’t covered by good ones, they’re covered by forgiveness.”
Perhaps this seems a bit preachy—a perfect Believer’s answer. But the context of the story, wherein everyone is wrestling with what this means in personal and complex ways, prevents it from feeling trite.
I suspect we will see the theme of unchanging love and forgiveness in future books, this time for Yvonne as she wrestles with her choice to kill the murderer of her husband (even though she did not succeed).
Check Out After Moses: Prodigal!
After Moses: Prodigal is a fun sci-fi adventure with crazy action and likable characters. I look forward to reading more about the crew of The Sparrow in the next After Moses book!
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With the first book, I bought the rest of the series in hardcover after only reading nine chapters. With book two, it was a wise investment that has paid dividends in a great story with a well-paced plot and fantastic prose.
Where book one contained a number of almost vignette stories that added to a whole story and set up the world, book two splits up characters to keep the pacing and change in setting to keep the reader interested. Kane knows how to handle his characters as they are maturing with age or working as a team or being better versions of themselves (or trying to be). While the focus of the story, as seen in the cover, is focused on Grace, she is not a damsel in distress and Davey is a sniveling child that he once was. That’s not to say they are perfect and that allows for them to grow as characters even during this story.
While readers may feel the pace of the story is slower at the beginning half of the book, the ramp up to the second half shows why the pacing was needed at the start. This is not to say that nothing happens but in comparison to the second part and with the first book there is a shift. Characters are not sacrificed for the plot and the plot doesn’t slow down for the sake of the characters. How characters learn new things or grow is all done as it’s happening. There’s not a seismic shift that happens in isolation after deep, internal monologue. There is clear growth with the younger characters but with a decision made by another character on the crew, it shifts her entire arc and realise that these are people not written as monoliths but act like real people. Addition of new people are understanding of them make sense and are welcomed. No one has easy to guess decisions or free from reprocussions when they make seemingly easier choices.
My comment in the first book was that it was nice that there wasn’t this giant, overarching plot that needs 15 books and 1,000 pages between to get to the end (well, in fact, Kane did it in 6 books). In this book, more of that bigger story unfolds. However, Kane earns the attention and I even forgave the inclusion of a broken MacGuffin puzzle piece that will unlock secret information. With the fun adventures and well-written people to follow, it adds to the fun of the story and it doesn’t become the sole driving force of the story. In fact, not having unlimited funds becomes an issue that makes the world feel real (my problem with The Expanse series is Holden and his crew never need provisions or purchase bullets for their Rocinante ship).
Two items of note that were exceptional. The first is that the opening chapter entries are diary-like entries that describe the after-effects of the AI Moses up and leaving one random day. In book one, these really helped build the world and they were fun to read about what a Moses built solar system looked like. In book two, they do just the opposite. The tone is darker for Moses leaving and the impending doom and the slow wind down humanity’s former sole reliance on the AI for its way of life in the universe is weighted even more here. Reading these were snapshots of dread and horror to come – I loved it. The second was an inclusion of the introduction of a few characters from a multigenerational line that occurs in a flashback. It does tie into the current story in a big way but the quickness they are introduced and the conclusion of their story happens in the middle of the book and within maybe 50 pages (roughly). Kane’s writing shines here in making me care about them, seeing them for what they are and could have been, and ties to the story and to the character that comes through in the end. A character in distress needing forgiveness after a confession and another fatherly character freely offering it shows not just character growth but is the theme of the whole story.
The story does not conclude at a reset. Each person on the ship is not who they are at the beginning. Not all of – in the positive. Kane has a clear perspective and if it wasn’t clear from the first book, this book shows he knows where he’s going and he cares about the reader in having a good time. While I loved the first book a lot, I really enjoyed this book as a different story but in the same universe that the author believes in. I could not recommend this series more for those who enjoy sci-fi and are searching for a book where hope resides. Final Grade – A+