Review: The Mummy of Monte Cristo

Publisher Description:

Revenge takes time; fortunately Edmond Dantes doesn’t sleep. Or breathe.

In a world of monsters and magic, Edmond Dantes has a pretty good life. He’s just been made captain of a ship, and he’s about to marry his sweetheart.

But when jealousy, spite, and ambition conspire to frame him for treason, he loses everything. To make things right, he’ll need to give up the only thing he has left: his humanity.

They thought their troubles died with Edmond. They were wrong on both counts.

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Review: The Mummy of Monte Cristo by J Trevor Robionson

Here at the Periapsis Press blog, we only post reviews of works we recommend, so you already know I enjoyed The Mummy of Monte Cristo. I encourage you to check it out!

Disclaimer: We received a copy of this book from the author for the purpose of review. This in no way influences our opinions. (You can request a review here.)

This review contains spoilers.

The Mummy of Monte Cristo is a hair-raising adaptation of Alexandre Duma’s classic revenge story in the style of Pride and Prejudice and Zombies, packed with loads of undead and horror delicacies to relish!

The Count of Monte Cristo

The original adventure novel by Alexandre Dumas is ripe for this kind of adaptation. The original story was actually released in parts from 1844 to 1846, which lends the novel an episodic nature of consistent action and tension scaling.

The elements of historic context, particularly the unrest and uncertainty for the average citizen around the Bourbon Restoration and the Hundred Days period when Napoleon returned to power, seep the tale in a beclouded world in which horrible tragedy and gripping vengeance can take place.

Finally, the characters, complex with secrets and inter-relational conflict, make monstrous additions more tenable than, say a public figure such as Abraham Lincoln (Vampire Hunter).

Undead Adaptation

So, then, with such a great starting point, does Robinson pull it off? Yes!

The Mummy of Monte Cristo is packed with tons of undead flavor, from the tweaking of historical events to include a near zombie apocalypse to Edmond Dantès’ mummy transformation. I loved the classic mummy monster mechanics such as the use of his wrappings as weapons!

But Robinson didn’t stop there. Nearly every character brings more horror to the table: vampires, cannibals, a life-sucking amulet, dark rituals, death-curses, and so much more. The result is a setting that feels more like an alternate history, a place where everything is a little bit different, rather than a dark corner of our own world where monsters could exist.

And it is all seamlessly integrated into the original tale! A common critique of Pride and Prejudice and Zombies is that the tone is inconsistent; the romance and the zombie action don’t mesh very well. But Robinson pulls it off beautifully in The Mummy of Monte Cristo.

The melodramatic nature of the original lends itself to the adaptation, of course, but the alterations to exposition, dialogue, and action are all so smooth that I could not at first blush identify the point of integration. The presence of monsters or other supernatural elements are a give-away for changes, but Robinson tailored his voice to Dumas’ so that there are no jarring juxtapositions, and I was often in the middle of a scene before I thought, “Well, this wasn’t in the original!”

Humanity

This adaptation is also appropriate for The Count of Monte Cristo thematically. Dantès alienates himself from his humanity while he enacts his revenge, cutting himself off from both society (external) and emotions (internal) and devoting himself to a self-assigned role as an agent of Providence. Thus, “humanity” is an important theme in the original, incorporating ideas of justice, forgiveness, mercy, and hope.

In The Mummy of Monte Cristo, Dantès abandons his humanity literally in order to purse his revenge. However, the thematic thread takes a vastly different path in this adaptation than the original. Whereas the original Dantès regains his humanity through forgiveness, Robinson’s Dantès cannot become human again. He does not forgive Danglars; in fact, Danglars earns the most graphic death in the adaptation.

Neither is the idea of a limit to human vengeance present – an important idea in the original. The quote, “Tell the angel who will watch over your life to pray now and then for a man who, like Satan, believed himself for an instant to be equal to God, but who realized in all humility that supreme power and wisdom are in the hands of God alone,” is not present in any form.

Rather, Dantès is given a new vocation to continue to pursue and defeat “petty and harmful men” and to “make sure there is no possible way for the world to be troubled by the undead again.”

Responsibility

This difference is an important one, but it should not be taken as a commentary on or contradiction of the original theme of vengeance and forgiveness, but rather a completely separate message to a very different audience.

In The Mummy of Monte Cristo, vengeance is part of Dantès’ origin story. Like many superheroes, he awakens to the evil present in the world by first becoming a victim to it and rising to enact vengeance against it. Once that is accomplished, his abilities and awareness make him responsible for pursuing justice beyond revenge.

He himself still needs forgiveness and love, but he does not extend it to evil, nor attempt to rejoin humanity in general. This is a typical motif in modern storytelling (The Myth of the American Superhero) wherein the hero remains apart from society rather that rejoining it (The Hero with a Thousand Faces).

Personally, I found Danglars’ new end thick with Schadenfreude and the idea of additional adventures to come enticing, although it did come at the cost of a moral ideal and stronger theological argument.

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The Mummy of Monte Cristo is a seamless adaptation of a great adventure story into a darker, undead version sure to satisfy your thirst for all things classic horror and bad guys getting what they deserve. If you enjoy Dumas’ original story or the undead genre, this is a must read!

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Review: A Greater Duty

Publisher Description:

The Galactic Alliance was not ready for war. When it is suddenly invaded by the cold and relentless Tyrannodon Armada, under the command of emotionless, amoral Executor Darkclaw, it is immediately sent reeling.

The invasion was a godsend for some, however, such as Grand Admiral Nayasar Khariah, who had wanted nothing more than revenge on the Alliance following an attack on her homeworld. The arrival of the Tyrannodons presents her with an opportunity, one that she seizes gleefully.

However, Executor Darkclaw, who has been prosecuting the invasion on orders of his master, the all-powerful energy being known only as the High Lord, has started having second thoughts once he unexpectedly starts feeling emotions he does not understand. Suddenly, he finds himself heretically questioning the only purpose he has ever known—irrevocably altering his view of the ongoing war.

Meanwhile, within the Galactic Alliance, Second Scion Dalcon Oresh, member of an order dedicated to preserving the it, struggles to stop the Alliance’s bleeding, the source of which may not be entirely external.

Darkclaw’s newfound friendship with Nayasar will be pushed to its breaking point, Nayasar’s relationships with her closest friends and loved ones will be strained as her quest for vengeance becomes more and more a personal obsession, and Dalcon must determine who he can truly trust.

All the while, the imminent existential threat of the High Lord looms over everything, and the key to stopping him, and saving not just the Alliance, but the entire galaxy, may only be found in the remains of a ancient, powerful race, and the creations they left behind…

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Review: A Greater Duty by Yakov Merkin

Here at the Periapsis Press blog, we only post reviews of works we recommend, so you already know I enjoyed A Greater Duty. I encourage you to check it out!

Disclaimer: We received a copy of this book from the author for the purpose of review. This in no way influences our opinions. (You can request a review here.)

This review contains minor spoilers.

A Greater Duty is a detailed military space fleet novel featuring diverse alien species and exciting battles both in space and on the ground. This self-contained story makes a compelling start to the Galaxy Ascendant series.

Heavy Action, Light Mechanics

A Greater Duty features both detailed tactical battles in space and heart-pounding clashes on the ground. This varied military action keeps the engagements fresh as the war progresses throughout the story.

I particularly enjoyed the ground battles, where the characters’ choices felt more crucial and personal than those made from the command center of a flagship. It also felt more fantastical: Nayasar rides on a battle mount decked out with enough weapons and technology to make it pack the punch of a light tank. These fights also stuck out to me as having greater individuality than the space battles, since the settings and situations differed between them, while the space battles were fairly consistent, conveyed largely through dialogue and shifting shapes on a display.

The science fiction elements of the story are less detailed, preventing the story from becoming bogged down with too much realism. There are a few innovative technologies, but they are only described enough to serve the story, rather than existing for their own sake.

For example, the space ships are mainly military vehicles, and thus described less in terms of the science behind space travel and more along the lines of practicality. This does result in some less meticulous elements, such as their tendency to arrive places whenever it is most convenient for the story, rather than some consistent sense of distance traveled.

However, I can’t help but feel that this is a net gain, as the emphasis resultingly landed on the conflict and the characters, which is consistent for the military science fiction genre.

Suspense

A Greater Duty’s true strength, however, lies in the main character Darkclaw’s emotional journey and the tension that develops as he becomes more sympathetic towards his allies and begins to question his High Lord.

The question of how he can stand up to an all-powerful, mind-reading energy being builds through the entire story. It makes Darkclaw particularly sympathetic, and the climax manages to deliver a satisfying pay-off to this building suspense.

Foils and Emotion

Darkclaw begins the story entirely emotionless: a completely rational character. He believes the Tyrannodons to be superior due to this trait, although others of his species do have limited emotions. His struggle to maintain his composure and hide his emotions as they develop is extremely relatable, and his resolution to then change his behavior once he understands others better as a result of his emotional experiences is admirable.

Nayasar was a more frustrating character for me, though she makes an excellent foil for Darkclaw. She not only feels things very vividly, but she throws herself into her emotions. She dwells on the deaths of civilians that she feels responsible for, and actively resists the advice of others that would help her to find healing. Her quest for revenge ends with a realization that allowing her emotions to control her caused her to hurt others.

Dalcon is likewise an interesting foil for Darkclaw, although perhaps a more subtle one. He begins the story as a character who values rational behavior. Like Darkclaw, he works to maintain his composure. Where Nayasar represents a character willingly ruled by her emotions – and the dangers that involves – Dalcon is a character who intentionally sets aside his emotions in order to keep from alienating people who recognize his species as dangerous. He has intentionally distanced himself from his home world and his inherent fire abilities as a result. In the end, he does not have as urgent a repentance as Nayasar, but he does become aware that he has likewise been isolated, and seeks reconciliation with his people.

Darkclaw manages to walk a middle road between these extremes, and is able to achieve peace and unity with both his own people and the peoples of the Galactic Alliance.

Loyalty, Sacrifice, and Religion

A Greater Duty emphasizes the values typical for the military genre, including loyalty, sacrifice, bravery, and, of course, of duty. However, these values interplay with the thematic thread of emotion in a unique way. When Darkclaw lacks emotions, he retains loyalty and a sense of duty, but they are to the High Lord, governed only by a sterile logic based on the High Lord’s rhetoric. However, as Darkclaw begins to experience emotions, his loyalties and sense of duty change to align with his allies. He is even able to appreciate the religion of Nayasar’s people.

So, then, is the thematic argument of this story that feelings determine morality? Not at all. Nayasar’s emotions steer her to commit condemnable acts. Rather, the note seems to be that emotions breathe life into these values. Camaraderie strengthens the loyalty between characters. Enacting responsibilities leads to fulfillment. Courage is not even possible without fear. Grief deepens the sacrifice of subordinates; love, self-sacrifice.

Merkin delivers a message of emotional balance, neither blindly employing them as a moral compass nor condemning them as solely problematic. Rather, A Greater Duty embraces the reality that, while feelings should not be responsible for structural integrity, their presence alongside virtues turns a plain building into a cathedral.

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A Greater Duty delivers detailed action and a thought-provoking spin on the usual themes of the military sci-fi genre. It is an exciting first foray into the Galaxy Ascendant series!

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Review: Collateral Damage

Publisher Description:

Destructive Battles Rage Between Hellish Kaiju and Giant Mech Protectors

A desperate father must rescue his son when a deadly kaiju rampages across his city.

When opportunists lurk and buildings crumble around him, the battle might be the least of his worries. Each minute means more destruction, and the clock is ticking.

The first in a new kaiju series where the ordinary collides with the oversized, Collateral Damage is based on a short story of the same title originally published in Broadswords & Blasters Magazine. Experience the first taste of this series with a punch to the gut. Mind the shadows — you could be crushed.

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Review: Collateral Damage by Adam Furman

Here at the Periapsis Press blog, we only post reviews of works we recommend, so you already know I enjoyed Collateral Damage. I encourage you to check it out!

Disclaimer: We received a copy of this book from the author for the purpose of review. This in no way influences our opinions (You can request a review here.)

This review contains minor spoilers.

Collateral Damage is a high-speed science fiction thriller about a father’s battle to save his son, underfoot of a kaiju/mech battle for humanity’s survival. This first installment of the series is a wild ride of paternal determination and an intense mashup of the ordinary and the fantastic!

Aggressive Pacing

While Collateral Damage begins with a simple premise: a father of a broken family doing whatever he has to in order to be with his young son. Initially, the goal is to pass an apartment inspection in order to get visitation rights. The common situation provides a moderate amount of tension, stemming from the relatability of the father-son relationship.

The initial obstacles are likewise of the everyday sort, but the situation quickly goes off the rails. When a kaiju attacks the city and his son is unaccounted for, DeShawn hurdles into an epic quest to find him and keep him safe. He meets with one problem after another, but never gives up.

Furman does an exemplary job of utilizing the “yes, but / no, and” storytelling technique. The consistent complications deny the release of tension, pushing the drive of the story even harder with every event. Furthermore, DeShawn is impacted physically at every turn – a tactic reminiscent of Jim Butcher – which continues to amplify the suspense.

Present Tense

Reading a story told in present tense can take some mental adjusting if you aren’t used to it (generally, it is more common in short stories than genre fiction), but in Collateral Damage, the style is used to further emphasize the immediacy and build the suspense.

The effect is one of careening into the unknown. It is not unlike a Crash Bandicoot game in which the character runs full-tilt towards the screen; the player is perched on the edge of his seat, reacting to problems seconds after they appear and trusting that there is a way through to the finish line and to victory.

Biting Visuals

The fast pace and intense emotional investment do not prevent the setting from making an undeniable impression. Images, such as driving a blue convertible through a mech’s legs as it battles a giant monster overhead, stick with you.

Some of the descriptions are quite graphic, emphasizing the “collateral damage” occurring while the battle rages above. The destruction, violence, and even gore further contribute to the rising tension by reducing the control the reader perceives the main character as having.

But it also casts some thematic threads.

Timely Theme

The story works off a simple premise, and the central theme reflects that. The importance of a father figure and the desire for a whole and loving family are threads that lead to the payoff, the feel-good ending the reader craves like water after a gut-wrenching race.

However, there is another theme, more timely than timeless.

There are political events occurring in the world that are intriguingly similar to our own current events. Zenith, a communist group of zealots works to overthrow the mechs, the force established by the government to defend the people.

Zenith has occupied part of the city, obstruct roadways, accost ordinary people on their way home from work, steal and kill, and take advantage of a bad situation to further their own goals. However, they have some valid concerns, including the blasé acceptance of the damage caused and lives lost as a result of the mechs’ battles, and the impunity of the mech pilots for their behavior. Most people seem to love them, though, and watch their battles as a kind of entertainment.

In this situation, DeShawn is once again painfully relatable. He does not mindlessly embrace the mechs, forgiving the carnage and rejecting all criticism of them, and so he is himself rejected by others as “anti-government.” One character even goes as far to call him a monster for his mere opinion. However, he also cannot accept Zenith who stole his wallet, appropriated his apartment, and killed the people he approached for help. As a result, he is labeled a “patriot” by them.

Collateral Damage

He, like so many people in the Western world today, finds himself in a no-man’s land, disavowed by opposite ends of the spectrum as the enemy, and denied the opportunity to find common ground with either of them due to the labels they are so quick to brand him with. He represents the “collateral damage” in this political and cultural war.

The thematic arc resolves with DeShawn’s conclusion that he is happy that the mechs exist. This is not a surrender of his inhibitions regarding them, nor an inconsistent, emotional response to his rescue. It is a nuanced discernment of the good and the bad, one that has been denied to him throughout the story.

I am reluctant to pin any particular, deeper message onto this thread, any call to action regarding our own world’s politics. But the story clearly cautions against the adoption of an “us vs them” mentality, and the satisfying ending is really only possible because DeShawn lets go of some of his own judgement towards his ex and his father, enabling them to become a whole family instead of one divided against itself.

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Collateral Damage is an exciting kaiju thriller with a breakneck pace that will keep you up late reading it and thought-provoking themes to mull over for days afterwards! I am looking forward to seeing where Furman takes this series.

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Review: The Last Ancestor

Publisher Description:

They killed his father, oppress his people, and threaten them with extinction . . . and one of them is his best friend.

The Growlers rule their corner of the planet Yxakh with an iron fist, intent on driving the human refugees from their land. They almost did eight years ago, killing Garrett’s father in the process. Only their guns, and lots of them, keep the Growlers at bay. Now a young man, Garrett burns for revenge, but finds it hard to reconcile this hatred given that his best friend is a Growler youth named Ghryxa.

Desperate to cleanse his land of the invaders, the Growlers’ High Lord dispatches his trusted heir on a mission to acquire the humans’ superior weaponry. The Earthlings barely won the last war . . . but this time the High Lord will leave nothing up to chance.

Garrett and Ghryxa run headlong into the High Lord’s conspiracy and find themselves the only thing standing between their two peoples and all-out war. Now Garrett must participate in an ancient rite with the fate of humanity on his shoulders. It’s a chance to be a hero like his father . . . but only if he makes it out of the Growlers’ forbidden city alive.

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Review: The Last Ancestor by Alexander Hellene

Here at the Periapsis Press blog, we only post reviews of works we recommend, so you already know I enjoyed The Last Ancestor. I encourage you to check it out!

The Last Ancestor is a dynamic sword and planet romp of faith and daring. Alien-dog people, the ruins of a crashed spaceship, and a secret church populate this exciting first installment in The Swordbringer series.

Raising the Stakes

Hellene does a great job of ratcheting up the tension throughout this story. The beginning is a bit slow, taking time to introduce the main character Garret’s family and do a bit of exposition, but the events of the story consistently build upon one another from standing up to bullies on a playground, to foiling a kidnapping, to fighting to prevent a war.

Even during the final conflict, a duel to the death with humanity’s survival on the line, the stakes were raised!

The only element that slows down the action is the multiple point of view characters, particularly the politicians. I didn’t find that they contributed much; in fact, they tended to deflate the suspense at certain points.

Strong Theme

The Last Ancestor is built consistently around “doing the right thing,” despite the consequences. This begins with the opening scene in which Garret saves a potential enemy, who becomes his best friend Ghryxa, and ends with the choice of martyrdom over renouncing his faith. In fact, almost each event of the story involves Garret choosing to put his well-being on the line in order to do what he believes is right, usually help someone else.

This theme would be wholesome enough on its own, but it is underscored by two parallel themes.

The first is perhaps less glamorous, or at least less lauded, than being willing to die for a cause, but it is no easier: embracing weakness and any accompanying humiliation in order to do the right thing. While Garret faces death and injury, his friend Ghryxa confronts his desire for his people’s acceptance and chooses to do the right thing at the expense of his reputation.

The other theme that contributes to both of these is the importance of a father’s role in teaching morality to his children and to others through them. Garret’s father died in the war, sacrificing his life to save others. Garret remembers him throughout the story, usually when he is considering what action to take. It is clear that his father continues to have a great impact on his conception of right and wrong and his role in society. Furthermore, Ghryxa’s understanding of these things is largely based on his relationship with Garret.

Honestly, I would love to see a story about this man, who left Earth with his family in a shoddy spaceship, fought to make a home for them, and died to protect others!

Kind Character

Garret is a unique character, and one that I enjoyed following on this adventure. He behaves consistently with kindness and honesty, and while he is not necessarily slow to anger, he is slow to act out of anger. His affection for his younger sister is endearing and refreshing for a youthful lead character, especially a teenage boy.

I appreciated how Hellene built his themes out of Garret’s consistency as a character, rather than a repentance. Cringe in the beginning of a story may set up a character for development over its course, and portray an important moral lesson, but I rarely enjoy it. The Last Ancestor presents another important lesson, one that is not overrepresented in fiction: Garret’s journey is all about persistent diligence, rather than changing behavior.

Planet

I cannot go without mentioning the setting in this review! Hellene has done an excellent job crafting a tangible world with geography, monsters, and alien culture.

The alure of exploring caves for a crashed spaceship filled with treasures of a bygone world, the exhilaration of sneaking into a forbidden city, the resolve of holding firm in your beliefs against fearful pressure – all of these can be attributed to the deliberate worldbuilding and intriguing setting, and they contribute to the plot’s emotional payoff.

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The Last Ancestor is an entertaining adventure on a distant alien planet that does not relegate the Christian faith to a footnote of history, but incorporates its young character’s convictions into the plot in a satisfying way. I look forward to reading the rest of The Swordbringer series!

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Review: The Heights of Perdition

Publisher Description:

Falling in love was out of the question … until it was the answer. 

There is nothing Aeris St. Cloud wants more than to win her father’s love and the acceptance of her family unit by joining the Military Academy at New Hope. But after she is captured by the fearsome space pirate, Captain Chainsword, Aerie is certain falling in love with her nation’s arch enemy is the last possible way to earn their coveted esteem.

Driven by vengeance, Exton Shepherd never set out to save anyone. As he circles the war-torn world in his pirated starship, the Perdition, he only sees his father’s ghost lurking around every corner and the looming darkness on the horizon. When Aerie unexpectedly tumbles into his life, he finds he cannot trust her, anymore than he can ignore her. But just like the raging war down on Earth, it’s tempting to think he can … 

When the war ascends to the heights of the Perdition, Aerie’s loyalty, and Exton’s heart, are put to the test. But will love be enough to save them — and others — from certain destruction?

The Heights of Perdition is the first book in the Divine Space Pirates trilogy, a futuristic romance series where family, faith, and freedom take center stage. 

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Review: The Heights of Perdition by C. S. Johnson

Here at the Periapsis Press blog, we only post reviews of works we recommend, so you already know I enjoyed The Heights of Perdition. I encourage you to check it out!

The Heights of Perdition is an engaging science fiction romance that is as much about exploring thematic ideas of freedom and the role of government as it is about blossoming love. Filled with space pirates, futuristic tech, a world reeling from nuclear fallout, and—of course—romance, this first installment of The Devine Space Pirates trilogy rises to the challenge of realizing the expectations of both the science fiction and romance genres!

Romance

It should first be said that The Heights of Perdition is a classic romance novel, and the science fiction elements are definitive of the setting and external conflict, not the romance. That is to say, there isn’t any weird alien sex. In fact, the story could more narrowly be described as deriving from the Christian romance genre, so, while sexual tension is present, actual sex is held in reserve. This is important to acknowledge because I believe audience expectations when it comes to romance novels is diverse and easy to disappoint.  

The romantic tropes in this story—kidnapped, enemies to lovers, forbidden love, revenge, etc.—are pulled off admirably without treading into too cliché. Some might argue that the romance proceeds a bit quickly from enemies to acknowledged attraction, but I prefer that to a drawn-out interpersonal conflict founded only on the characters’ mutual resistance to their relationship. It works in Pride and Prejudice because pride and prejudice are the characteristics that define the hero and heroine, but not all lovers are those two characters.

Aerie and Exton are genuine people who quickly establish that truth and honesty are important to them as individuals, and it is realistic that they apply that to the expression of their feelings. This shifts the focus of the Problem that Threatens to Keep Them Apart away from the two of them and onto the external conflict. As their relationship progresses, the stakes are raised and the tension builds in the action.

Cliff Hanger

The one expectation of the romance novel that The Heights of Perdition declines to meet is the “happily ever after” ending. Aerie is kidnapped accidentally by Exton and his crew when they steal a tree she had climbed. The plot turns around the question of what to do with her, correlating with the subplot of Aerie’s desire for acceptance and belonging.

The external conflict that threatens their relationship is big, too big for a single novel to resolve satisfactorily. It becomes clear that the oppressive government of the URS will need to be brought down. This means that, although all the story beats of a romance novel are present, including realization that each is “the one” for the other and a stated commitment that they will always love one another, their romance does not conclude with the emotionally satisfying and optimistic ending.

However, it does end with the plot’s central question answered. Aerie belongs with Exton, but the conflict succeeds in tearing them apart right at the end. This results in a cliff hanger ending that is unusual for romance, and may rub the unexpectant reader the wrong way.

I liked it. I felt that the story had me invested enough in the characters and the conflict to carry me through the rest of the trilogy, and leaving the romance unresolved meant that there would be room for romantic tension in books two and three without betraying the happily-ever-after down the line (one of my pet-peeves).

Science Fiction

The setting is nicely realized. Descriptions of the pirated spaceship create a vision that captures the wonder of the night sky and man’s ingenuity without the bland professionalism of USS Enterprise or the dirty penny smell of the Death Star. It is easy to believe that Aerie feels at home there.

Likewise, the URS capital city New Hope feels down trodden and oppressive merely by its situation underground, out of sight of the sky.

All the world-building, the history of how the URS came to be, the laws and regulations that citizens must adhere to, the prevalence of punishments, the existence of resistance, make possible some intriguing thematic discussions worthy of the sci-fi genre.

I felt particularly drawn to the character’s frustrations resulting from the government’s actions in the name of “survival,” as COVID19 has brought similar discussions to the forefront of everyone’s minds. This story plays with the ideals of freedom and safety, the morality of acting for someone’s “own good,” and the regulation of ethics. It also really brought home to me the impact of the Christian heritage (religion, family, and love) on how we view the government’s role in our lives.

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The Heights of Perdition is an engaging romance story set in a thought-provoking science fiction setting. I am keen to see how the love story and the setting develop in the rest of the Divine Space Pirates trilogy!

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Review: The Unexpected Enlightenment of Rachel Griffin

Publisher Description:

Roanoke Academy for the Sorcerous Arts – A magic school like no other!

Nestled amidst the beauty of New York’s Hudson Highlands and hidden from the eyes of the Unwary, Roanoke Academy is a place of magic and wonder. It offers everything a young sorceress could desire—enchantments, flying brooms, and the promise of new friendships.

On her first day of school, Rachel Griffin discovers her perfect memory gives her an unexpected advantage. With it, she can see through the spell sorcerers use to hide their secrets. Very soon, she discovers that there is a far-vaster secret world hiding from the Wise, precisely the same way that the magical folk hide from the mundane folk.

When someone tries to kill a fellow student, she investigates. Rushing forward where others fear to tread, Rachel bravely faces wraiths, embarrassing magical pranks, mysterious older boys, a Raven that brings the doom of worlds, and at least one fire-breathing teacher.

Described by fans as: “Supernatural meets Narnia at Hogwarts”, The Unexpected Enlightenment of Rachel Griffin is a tale of wonder and danger, romance and heartbreak, and, most of all, of magic and of a girl who refuses to be daunted.

Curiosity may kill a cat, but nothing stops Rachel Griffin!

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Review: The Unexpected Enlightenment of Rachel Griffin by L. Jagi Lamplighter

Here at the Periapsis Press blog, we only post reviews of works we recommend, so you already know I enjoyed The Unexpected Enlightenment of Rachel Griffin. I encourage you to check it out!

The Unexpected Enlightenment of Rachel Griffin is a delightful magic school tale of fast friendships, secrets, and parallel worlds. Rachel sets out on a quest for knowledge and ends up getting more than she bargained for in this first installment of the Books of Unexpected Enlightenment series.

This review contains minor spoilers.

The Wizarding World of Rachel Griffin

Any book in the magic school genre will inevitably be compared to Harry Potter, and in this case I feel that it is appropriate. Rachel Griffin is a young, enthusiastic protagonist who must apply her limited practical skills against older opponents intent on destroying her world.

Rachel must face bullies, true baddies, and, of course, school work with courage and determination. The magical academy is divided into groups defined ostensively by scholarly interests, but practically they have many of the usual prejudices, conventions, and legacies. This includes Drake Hall, the “bad” group full of uppity rich kids and conniving schemers.

However, Lamplighter’s execution of the genre’s expectations is faithful without becoming tiresome or predictable. The Unexpected Enlightenment of Rachel Griffin delivers all of the wonder of the early Harry Potter books, while presenting something enticingly unique.

Deeper Characters

The young characters in this story are well-developed and possess a pleasant level of depth that goes beyond the simple “smart,” “looney,” “forgetful,” “funny,” or “bully” descriptors. Instead, they become differentiated by their motivations and aspirations. Rachel wants to know and share secrets. Nastasia desires to meet others’ expectations of her, particularly by following the rules. Siggy wants to perform great (and awesome!) deeds of heroism. Valerie Hunt, girl reporter, wants her friends to be able to rely on her as she uncovers the truth. Vladimir Von Dread wants to be able to protect others through his own power.

This emphasis on motivations gives particular complexity to the students in the “bad” group that was never quite fully realized in Harry Potter. Power is a means to an end, and those who seek power are not by necessity evil.

And this point in not merely flavor, but impacts the plot by inserting uncertainty into Rachel’s relationships. This results in greater tension surrounding the mysteries she is trying to solve, since it is unclear who can be trusted, even when there are underlying assumptions about their loyalties, friend or foe. This is much more satisfying than a bully (student or teacher) who merely wants to embarrass the main character due to a personal grudge and who is otherwise relatively flat. Of course, the latter is always good for schadenfreude and is also employed to good effect.

The main character Rachel is particularly well-crafted. I really appreciated her clear thinking and believable emotions. She was by no means a robot, but she exerted more self-control than your typical lead, male or female, reigning in emotional urges to lash out, gloat, and fall in love in a way that made her both sympathetic and worthy of my respect as a reader. I can trust this kind of character to behave in consistent ways, making plot twists so much more satisfying when they flip my predictions and exceed my expectations.

Well-delivered Plot

The storyline of The Unexpected Enlightenment of Rachel Griffin is a bit typical. Rachel must use her knowledge and skills to identify the source of a threat—one that easily outstrips any student-level conflict—and face it with courage and a determination to protect her friends.

As in most magic school stories, adults are necessarily too busy, stupid, prejudiced, or evil to be relied upon. It is unfortunate that Rachel’s inner conflict pivoted around the issue of obeying adults, closing in a thematic climax of suboptimal conclusions. Still, that has always been a weakness of the genre.

More positive is the shift away from an epic fate that casts Rachel in a dichotomy of good vs. evil. I’ve always been a fan of stories that depict people holding the line against evil through diligent choices to do the right thing. Rachel consistently chooses to help and protect her friends.

She accomplishes this by making thoughtful contributions within her means. The climax of the story does not have her facing off alone against a villain, but rather applying what she has learned to provide timely and vital assistance to more skilled allies, including older students and adults. The resulting conclusion was satisfying and meaningful without imposing on my suspension of disbelief.

Setting and Sci-fi

The setting of this story also has a crafted feel, with enough details about the world of the Wise to provide context, but not so many that the plot becomes bogged down with worldbuilding. The location of the school is beautifully described and gives it a more concrete sense of place.

There are some really intriguing sci-fi elements, too, including strange, parallel worlds or dimensions and a little alternate history. I am interested to know more about how and why Christianity has been removed from the public’s conscious, leaving only traces in the lexicon such as the word “steeple.”

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The Unexpected Enlightenment of Rachel Griffin is a fun magic school adventure that delivers on the expectations of the genre in unique ways. I am eager to read more about the exploits of Rachel Griffin and her friends in the rest of the Books of Unexpected Enlightenment!

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Review: Pirates of the Electromagnetic Waves

Publisher Description:

A young radio engineer travels across an alt-history America, encountering primeval gods, mythical beasts, and tall tales come to life, in a quest to build a radio transmitter that can reach the stars.

It all starts in the mountain town of Porterville. Twelve-year-old Philo starts a pirate radio station with his friends, and learns that the world is a stranger place than he ever imagined. The Ancient Marauder, the Bright and Terrible Birds, the Mishipeshu, and other creatures of myth and legend populate this enchanting mixture of science and fantasy.

YANKEE REPUBLIC is an old-school adventure series with traditional values and down-to-earth heroes. Escape from the pessimism and propaganda of modern fiction, and take a journey through a mythic America that might have been.

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Review: Pirates of the Electromagnetic Waves by Fenton Wood

Here at the Periapsis Press blog, we only post reviews of works we recommend, so you already know I enjoyed Pirates of the Electromagnetic Waves. I encourage you to check it out!

Pirates of the Electromagnetic Waves is a story of youthful ingenuity set in a flavorful science fiction, alternate history world. This enchanting first book in the Yankee Republic series introduces a tone of wonder in discovery and success in diligent work through the application of the timeless boyhood adventure to the science fiction genre.

This review contains minor spoilers.

Realistic Adventure

In a narrative style reminiscent of Mark Twain, Fenton Wood captures a sense of imaginative wonder. Pirates of the Electromagnetic Waves utilizes the best of “children’s literature” realistic fiction, before realism came to mean pessimism. Rather, it means that the events of the story could happen, however improbable they may seem to someone determined to see the worst in the world.

The entertainment value is delivered in the manner of a realistic adventure story: through second-hand pleasure in discovery, the building of something constructive, and success in the pursuit of a clear goal.

In addition to The Adventures of Tom Sawyer, I was reminded of The Swiss Family Robinson by Johann David Wyss and Hatchet by Gary Paulson, particularly the enthusiasm of building something from bits and pieces. Wilson Rawls’s Where the Red Fern Grows also came to mind, but more due to the rich sense of place in nature and in community.

Alternate History

Of course, Pirates is adventure fiction, but not actually realistic children’s literature. It is a science fiction blend of weird fiction, folklore, and alternate history.

The alternate history aspect contributes greatly to the overall tone of the work, but little to the plot in this first story. It functions as a switch that allows the reader, whatever their age, to share in the thrill of discovery and imagination led by the enthusiastic boys.

How much reflects reality and how much is true only within the story? How much is tall tale or misconception either by the youthful heroes or the isolated mountain people? All of the questions spurred by casually dropped details help to capture that sense of wonder and infinite possibility characteristic of the boyhood adventure.

The strong adherence to the expectations of the adventure fiction genre suggest a slight variation in my interpretation of the ending, when Philo stumbles into another world/dimension and the first real sci-fi situation of the story. This, rather than the setting of the story, is the true “alternate history.”

In keeping with the established tone, it isn’t our “real” world, either. The reader can anticipate more interesting things to experience and learn, not the pseudo-entertainment of watching someone else be exposed to our own, all-too-familiar world.

Heroic Simplicity

Delivering the delight of discovery is a cast of eager, genuine boys. Their antics in the pursuit of a pure goal require no convoluted life lessons or interpersonal drama to provide thematic commentary on the importance of friendship, hard work, and their own potential.

The themes are developed organically through the events of the story. Representative of this pattern is a scene in which the boys attempt to cross a high bridge via the catwalk beneath and find a section has been removed to prevent people from doing just that. Rather than giving up, the boys devise a solution using the materials they have with them. This solution is daring. It forces the boys to show courage, determination, ingenuity, and camaraderie. When these are diligently applied, they succeed.

Coming-of-age stories too often become mired in the character’s head, over-indulging in the emotions and thoughts that accompany any period of transition. Change is difficult and can be a great catalyst for a story, but it is not entertaining in and of itself. Pirates focuses on the pleasure of the moment for these boys, keeping the story moving with a positive tone even as time passes and friends move away.

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Pirates of the Electromagnetic Waves is an engaging tale of nostalgic adventure in a fantastic world. It sets the expectations for the rest of the Yankee Republic series to continue the exploration with sincerity and excitement!

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Review: The Crimson Spark

Publisher Description:

Break the shackles of the mind.

Leo is a boy grieving his twin. Nea is a girl living as a boy to escape her past. Two slaves, carrying the scars of abuse. They form a connection, only to be split apart when their ship arrives in a mysterious and fragmented land, cut off from the rest of the world.

Leo becomes apprentice to a vagabond swordsman and together the two set out to find a stolen weapon locked away in a catacomb city. But what is his new teacher hiding? Tormented by a crippling injury and an anxious heart, Leo must find the strength within himself to keep going despite all that he has lost.

Meanwhile, Nea is conscripted by the Captain of the Royal Guard, who ropes her into the search for a group of men hunting a boy matching Leo’s description. But to Nea’s dismay, the Captain is a woman and Nea must fight past her hateful and damaged mind if she ever hopes to earn her freedom.

When a former child soldier threatens to spark a revolution, Leo and Nea will choose sides. Will they fight to save this cruel land, or punish it? To find the answer, they must confront the horror of the past and fight for the greatest freedom of all, freedom from the fear that rules their hearts.

The Crimson Spark is an emotional and captivating fantasy adventure. A story about innocence lost and righteousness found. A story about how even the most broken souls can be whole together.

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Review: The Crimson Spark by William Hastings

Here at the Periapsis Press blog, we only post reviews of works we recommend, so you already know I enjoyed The Crimson Spark. I encourage you to check it out!

The Crimson Spark is a dark fantasy adventure following young characters on their quest for freedom, hope, and healing. Filled with suspense, vivid action scenes, and rich themes, this first installment of the Vagabond Legacy series is an intense coming-of-age story.

This review contains minor spoilers.

Suspenseful Pacing

The Crimson Spark is paced by secrets and discovery. It doesn’t take long to discover that the main characters Leo and Nea have dark pasts that are influencing their decisions and behaviors, but their specifics are obscured by their traumatic nature that disinclines the characters to confront them. This not only creates interest, but also sympathy for the kids, who clearly need relational safety and healing.

But they are not the only mysterious characters. When Leo and Nea escape from the slavers, the initial antagonists, three individuals representing three different groups come forward to offer help. It is clear to any reader that this is a situation that cannot be taken at face value; someone must have ulterior motives!

The potential for the young characters to fall in with people who don’t really have their best interests at heart and people who can hurt them physical or emotionally deepens with every step of their journey.

Vivid Action

When action explodes on the scene it is detailed and fully realized. The edge-of-your-seat situations are varied and frequent, taking full advantage of the story’s fantasy setting with monsters, moving forests, and magic.

A particular favorite of mine is Leo’s flight from a giant centipede through a maze of catacombs full of people like living dead!

Complex Characters

I ached for Leo and Nea, who have been so hurt and victimized by the people they should have been able to trust. Their pasts make them pitiable, but it is their desire to do the right thing that makes them sympathetic and their resolution to fight for both themselves and others that makes them heroic.

The antagonists are fairly nuanced. The king who used child soldiers in the last war and who allows child slavery and other horrors to perpetuate in his county is not without love and value. Likewise, the people hurt by this state have plenty of reason to rise up against him.

This leads to what I believe is one failing of the story. The primary antagonist Belijhar was a child soldier who survived and has gathered similarly victimized people to overthrow the government and the society that turns a blind eye. I find it unfortunate that this stance is given no reasoned response thematically.

Instead, Belijhar is made more traditionally “evil” by expressing ambitions for world domination via conquest and using illusions to try to manipulate others. Once he is defeated and his illusions broken, his followers lose their revolutionary drive and most surrender, as if none of them cared anymore about the evil they believed they were fighting.

In this way, the story neatly sidestepped confronting their worldview. Since the main characters stood in their opposition, alongside the king, I feel that some kind of statement regarding it was warranted.

Rich Themes

Even acknowledging that, however, The Crimson Spark has a well-developed theme centered around the predation of children. I like to reserve the term “dark” to describe stories that present hopeless situations where good people find themselves trapped and often forced to do bad things. This story certainly has elements of that, but they are woven into a greater tale of hope and healing.

There are three specific situations enacted, allowed, or enabled by the government where children are victimized: child soldiers, child slavery, and sexual abuse of children. the society at large also turns a blind eye to these evils. The scene of the slave market, with people going about their day around it, is a powerful one.

Hastings has managed to craft a really smooth theme around this that appears to be more a consequence of the plot as opposed to artificially injected into the story. It certainly isn’t preachy, but succeeds in drawing forward these topics for consideration.

Personal Responsibility

The story avoids a solution at a government level. Instead, Leo and Nea settle on personal responsibility. Leo asks the king to tell the truth about the child soldiers and accept the consequences that come with that. They resolve to help free the children in slavery where they can rather than following their original plan to flee to a country without slavery.

They both begin the healing process by refusing to be defined by the horrible things that happened to them. They do not cling to their bitterness and (self-) hatred, but look to see themselves in the people who need their help. Leo, in particular, is able to see himself in the antagonist and to feel pity for him.

Discussing the presence of theme makes the story sound heavier than it is. Honestly, it boils down to the tried-and-true fantasy motif of good against evil. Hasting’s characters resolve not to back down and to keep doing the right thing!

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The Crimson Spark is an exciting and thought-provoking read. I look forward to seeing where the rest of the Vagabond Legacy series takes me, both in plot and themes!

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Review: The Brand of the Warlock

Publisher Description:

A hooded man, his face marred by a mysterious black brand, walks the Plain of Savlos. Some say he has the power to summon demons. Others say he is the only one who can vanquish them. His name is Konrad, and he has a secret….

Once an ordinary soldier, his life was forever changed by a fateful meeting with a dying sorcerer. Now he is all that stands between civilization and the creeping evil of the shadow world. The Brand of the Warlock is the first book in the fast-paced sword & sorcery series THE COUNTERFEIT SORCERER.

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Review: The Brand of the Warlock by Robert Kroese

Here at the Periapsis Press blog, we only post reviews of works we recommend, so you already know I enjoyed The Brand of the Warlock. I encourage you to check it out!

The Brand of the Warlock is a clever and compelling fantasy novel, thick with mystery and suspense, dark magic and demons! A unique dilemma afflicts the main character, who persists through wit and sheer moxie, capturing the reader’s curiosity for what he will do next. This entertaining sword and sorcery story kicks off The Counterfeit Sorcerer series with both magic and intrigue.

This review contains minor spoilers.

Suspense

The pacing of this story is fantastically executed. While I would hesitate to call it “fast-paced,” it certainly never felt plodding. Each event starts with a steady build of tension and pays off with concise, intense action.

The story begins with a simple question: how did the main character end up in prison?

The initial scene creates interest through well-crafted dialogue between the prisoner and the chief prosecutor. They each attempt to manipulate the other in order to get what they want, but their back-and-forth is not without risk. The chief prosecutor has been forced to release this prisoner and fears retribution from the powerful sorcerer he locked up. Likewise, the prisoner fears miscalculating the situation and being returned to his cell. They each are trying to get what they want without tipping their own hand.

At the end of the chapter, the prisoner Konrad is free, but it is revealed that he is not the sorcerer. This revelation deepens the mystery, raising additional questions.

The novel continues in this manner. Dialogue is compelling and never lacks some kind of conflict to create interest. The twisty revelations cause the reader to re-evaluate the information previously revealed. The question of Konrad’s past is slowly answered, but his desire to reunite with the girl he loves continues to draw him into the greater conflict around his mistaken identity until he is fighting demons in their own world!

Wit and Moxie

Konrad’s character delivers a lot of the entertainment value for this story. He is clever and resourceful, and fate seems out to get him. However, no matter the setback, he maintains his stalwart focus on his goals, finds allies to help him, and does the right thing.

His greatest talent is his wit. He devises clever plans and convinces others to participate. While he can certainly formulate a good smart-alecky comeback, Konrad’s character is genuine. He lacks the sarcasm and rude manner popularized by Marvel and Sherlock, whose characters insult their friends just as smoothly as their enemies.

These qualities make him both entertaining and sympathetic. His trials can be attributed to bad luck and not a bad attitude. This is the kind of character I can cheer for!

Setting

The Brand of the Warlock’s setting is not necessarily unique for the sword and sorcery genre. I do not mean to fault this setting in any way, but rather to point out that it, like every element of this story, is carefully constructed without being overbuilt. Veszedelem, the demon world, is interesting in its mechanics, partly because there is no tedious explanations of minor details.

One set that I particularly enjoyed was the haunted ruins. When they were first introduced, I thought it they were simply part of a generic fetch quest – part of developing Konrad’s reputation in his mistaken persona. I was pleasantly surprised to find it return as the stage for the larger conflict!

Every scene, character, and event contributes to this story in a meaningful way. There didn’t appear to be a single element of worldbuilding for the sake of worldbuilding. There was enough description to create a clear picture in my mind, but it never weighed down the plot.

Everything served the story, and the story was entertaining!

The End

This story did have one weakness that I feel must be addressed. The story laid the groundwork, established settings, built the tension, developed characters, and brought them together. Everything was primed for the climax. Then the book ended.

There had certainly been some big confrontations prior to the end, and Konrad’s quest to be reunited with his love is completed. However, there wasn’t the payoff that the rhythm of the story had led me to expect.

Part of this is due to the presence of too many antagonists, all of which entered the story too close to the ending. There wasn’t time to build the sense of necessity to their conflicts that would provide resolution. So much of the story was driven by the mystery of Konrad’s predicament of a false identity that the information about his antagonists’ characters came too late.

This situation does put the same pressure on a reader as a cliff-hanger, and the rest of the series is available and may provide resolution and live up to the promises this story made. That said, this story certainly has you reaching for the next book in the series!

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The Brand of the Warlock is a well-crafted story, with every element contributing to the driving suspense, and a tone of sincerity. While the abrupt ending is disappointing, it is preceded by a tightly woven tale and promises even more entertainment in the rest of The Counterfeit Sorcerer series!

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Review: How Black the Sky

Publisher Description:

Pierce – a brash young man with rare blessings of strength and really bad news.

Axebourne – the fatherly berserker with infectious laughter.

Scythia – calm and motherly, her Circlet of Knowing reveals secrets.

Agrathor – a mighty spearman with an electric personality
and a terrible skin condition.

Ess – Second only to the First Great Master of Convergent
Reality Theory. Pierce thinks she’s hot.

They are Gorgonbane. Once mercenaries, now heroes, they are the only thing standing between Overland and the horrid Monstrosities of the Underlord. His lust for power has reached its peak, but the coming invasion may not be exactly what it seems…

The world of Chasmgard is a place with endless secrets and a strange cosmology.
A deep red sun crawls across a canvas of black, and nobody remembers why. Landlocked by a depthless Chasm, Overland and the Underlands have always vied for power and land.

In How Black the Sky, we join a band of legendary warriors who may just be at the end of an age.

Multiverse Books

Each novel and short story in the Multiverse comes with a map and basic world statistics for use in roleplaying and other non-commercial gaming scenarios. We have included only basic stats that should be adjustable for any use you have!

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Review: How Black the Sky by T. J. Marquis

Here at the Periapsis Press blog, we only post reviews of works we recommend, so you already know I enjoyed How Black the Sky. I encourage you to check it out!

How Black the Sky is a fun, heavy metal romp following a band of warriors through epic battles to defend against an invasion of Underworld monsters! The action-driven plot underscores a refreshing, brawlier representation of Christianity than is typically seen in fiction. This story serves as the first in the Hero’s Metal series.

This review contains minor spoilers.

Heavy Metal Action

Heavy metal is not merely a genre label for this novel. According to his forward, T. J. Marquis intentionally designed his characters around the members of a heavy metal band and drew thematic inspiration from progressive metal.

This certainly comes through in the intense action sequences, which describe not only the efforts of the team, but also focus on the skill of an individual (like a solo) and how they interact with the others in friendly competition, pushing forward the power of the band as a whole.

As a result, the battles are driving and densely choreographed—an entertaining combination of brute force and complex skill, cool people doing cool things. Moreover, the imagery is reminiscent of a heavy metal concert, with grandiose settings, cool weapons, and showmanship.

Post-History Fantasy Setting

The mechanics of Chasmgard are unique and interesting. They certainly go beyond the typical fantasy / post-apocalyptic setting and are deeper than a mere color change for the sky. Underland is not merely beneath Overland—it isn’t underground—but is layered. Underland has its own sky, with a moon that moves across it, and yet it still maintains a physical orientation, below Overland.

Overland itself has a post-history flavor. There are ruins and legends (for example, the sky wasn’t always black, but was once blue) that hint that the world wasn’t always in its present state.

I shy away from the term post-apocalyptic only because it isn’t yet clear that it was a catastrophic event that caused this and the term tends to be applied to settings that are or were the real world. While the latter could be a possibility, this first book makes no explanations, for even the characters themselves do not fully understand their world’s history nor the particularities of how it works. 

The result is a tantalizing mystery for later works in the series.

Plucky Pierce

Pierce, the main protagonist, was my favorite character. While significantly younger than the original members of the Gorgonbane group, he holds his own in both bravery and skill in battle. However, his humility, positive attitude, and inquisitiveness make him fun to follow in the story. I hope to see more of him in future stories.

Pierce serves as a vehicle for the audience to learn about the other characters, since he is the new guy in the group. If Gorgonbane is a band, then Pierce is a fan who has stumbled into a dream-come-true opportunity to work with them. His interactions and the stories that they tell him develop the audience’s knowledge of these established heroes.

This first Hero’s Metal novel does spend a lot of time on this, but as all of the characters are, as I mentioned, cool people doing cool things, I found the stories of valor forgivable since they are entertaining. One weakness that does result is the lack of tension due to half of the tale occurring in retrospect and the other half shaded with the suspicion that these awesome characters will likely survive to the next book.

The Glorious Paths

A most thought-provoking element of How Black the Sky is the Overlander’s religion The Glorious Paths. This is a uniquely executed reflection of Christianity, and I found it intriguing how it put forward a different aspect of God’s character in this depiction than commonly seen by depicting Him as “the Blacksmith.”

While most Christian fiction emphasizes the attribute of love (sometimes to the detriment of all other characteristics), Marquis’s Blacksmith, while loving, is unavoidably sovereign.

In the Great Sanctuary stands a sculpture of the Blacksmith, and on his anvil humanity is being forged: “Their legs were elongated into a tapered shape like the blade of a longsword, and the woman’s arm was stretched out to one side in a partial crossguard.” Everything, including the fighting and conflict, occurs at the Blacksmith’s will to “temper” his servants and prepare them to walk the Glorious Path.

This process is not necessarily pleasant. The people on the anvil grit their teeth, grunt, and scream. But the Blacksmith has a vision for them beyond the immediate process. The Overlander’s God is not only fully in control, he is also intentionally working to prepare them for a purpose beyond this life. His followers are “the weapons that would one day slay Oblivion itself.”

Pierce in particular wonders if he will be deemed fit to serve after “this time of shaping and testing.” I appreciate how this portrayal imparts the biblical beliefs that God’s ways are not our ways and this present life is merely a shadow of what is to come.

The idea of salvation is not touched on in this book, and the morality is rather hazy, but I look forward to seeing how these ideas develop as the series progresses!

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How Black the Sky is an enjoyable adventure full of hardcore action, valiant warriors, and thought-provoking themes. A great start to the Hero’s Metal series!

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