The Last Ancestor Publisher Description:
They killed his father, oppress his people, and threaten them with extinction . . . and one of them is his best friend.
The Growlers rule their corner of the planet Yxakh with an iron fist, intent on driving the human refugees from their land. They almost did eight years ago, killing Garrett’s father in the process. Only their guns, and lots of them, keep the Growlers at bay. Now a young man, Garrett burns for revenge, but finds it hard to reconcile this hatred given that his best friend is a Growler youth named Ghryxa.
Desperate to cleanse his land of the invaders, the Growlers’ High Lord dispatches his trusted heir on a mission to acquire the humans’ superior weaponry. The Earthlings barely won the last war . . . but this time the High Lord will leave nothing up to chance.
Garrett and Ghryxa run headlong into the High Lord’s conspiracy and find themselves the only thing standing between their two peoples and all-out war. Now Garrett must participate in an ancient rite with the fate of humanity on his shoulders. It’s a chance to be a hero like his father . . . but only if he makes it out of the Growlers’ forbidden city alive.
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Review: The Last Ancestor by Alexander Hellene
Here at the Periapsis Press blog, we only post reviews of works we recommend, so you already know I enjoyed The Last Ancestor. I encourage you to check it out!
The Last Ancestor is a dynamic sword and planet romp of faith and daring. Alien-dog people, the ruins of a crashed spaceship, and a secret church populate this exciting first installment in The Swordbringer series.
Raising the Stakes
Hellene does a great job of ratcheting up the tension throughout this story. The beginning is a bit slow, taking time to introduce the main character Garret’s family and do a bit of exposition, but the events of the story consistently build upon one another from standing up to bullies on a playground, to foiling a kidnapping, to fighting to prevent a war.
Even during the final conflict, a duel to the death with humanity’s survival on the line, the stakes were raised!
The only element that slows down the action is the multiple point of view characters, particularly the politicians. I didn’t find that they contributed much; in fact, they tended to deflate the suspense at certain points.
The Last Ancestor is built consistently around “doing the right thing,” despite the consequences. This begins with the opening scene in which Garret saves a potential enemy, who becomes his best friend Ghryxa, and ends with the choice of martyrdom over renouncing his faith. In fact, almost each event of the story involves Garret choosing to put his well-being on the line in order to do what he believes is right, usually help someone else.
This theme would be wholesome enough on its own, but it is underscored by two parallel themes.
The first is perhaps less glamorous, or at least less lauded, than being willing to die for a cause, but it is no easier: embracing weakness and any accompanying humiliation in order to do the right thing. While Garret faces death and injury, his friend Ghryxa confronts his desire for his people’s acceptance and chooses to do the right thing at the expense of his reputation.
The other theme that contributes to both of these is the importance of a father’s role in teaching morality to his children and to others through them. Garret’s father died in the war, sacrificing his life to save others. Garret remembers him throughout the story, usually when he is considering what action to take. It is clear that his father continues to have a great impact on his conception of right and wrong and his role in society. Furthermore, Ghryxa’s understanding of these things is largely based on his relationship with Garret.
Honestly, I would love to see a story about this man, who left Earth with his family in a shoddy spaceship, fought to make a home for them, and died to protect others!
Garret is a unique character, and one that I enjoyed following on this adventure. He behaves consistently with kindness and honesty, and while he is not necessarily slow to anger, he is slow to act out of anger. His affection for his younger sister is endearing and refreshing for a youthful lead character, especially a teenage boy.
I appreciated how Hellene built his themes out of Garret’s consistency as a character, rather than a repentance. Cringe in the beginning of a story may set up a character for development over its course, and portray an important moral lesson, but I rarely enjoy it. The Last Ancestor presents another important lesson, one that is not overrepresented in fiction: Garret’s journey is all about persistent diligence, rather than changing behavior.
I cannot go without mentioning the setting in this review! Hellene has done an excellent job crafting a tangible world with geography, monsters, and alien culture.
The alure of exploring caves for a crashed spaceship filled with treasures of a bygone world, the exhilaration of sneaking into a forbidden city, the resolve of holding firm in your beliefs against fearful pressure – all of these can be attributed to the deliberate worldbuilding and intriguing setting, and they contribute to the plot’s emotional payoff.
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The Last Ancestor is an entertaining adventure on a distant alien planet that does not relegate the Christian faith to a footnote of history, but incorporates its young character’s convictions into the plot in a satisfying way. I look forward to reading the rest of The Swordbringer series!