Review: The Mummy of Monte Cristo

Publisher Description:

Revenge takes time; fortunately Edmond Dantes doesn’t sleep. Or breathe.

In a world of monsters and magic, Edmond Dantes has a pretty good life. He’s just been made captain of a ship, and he’s about to marry his sweetheart.

But when jealousy, spite, and ambition conspire to frame him for treason, he loses everything. To make things right, he’ll need to give up the only thing he has left: his humanity.

They thought their troubles died with Edmond. They were wrong on both counts.

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Review: The Mummy of Monte Cristo by J Trevor Robionson

Here at the Periapsis Press blog, we only post reviews of works we recommend, so you already know I enjoyed The Mummy of Monte Cristo. I encourage you to check it out!

Disclaimer: We received a copy of this book from the author for the purpose of review. This in no way influences our opinions. (You can request a review here.)

This review contains spoilers.

The Mummy of Monte Cristo is a hair-raising adaptation of Alexandre Duma’s classic revenge story in the style of Pride and Prejudice and Zombies, packed with loads of undead and horror delicacies to relish!

The Count of Monte Cristo

The original adventure novel by Alexandre Dumas is ripe for this kind of adaptation. The original story was actually released in parts from 1844 to 1846, which lends the novel an episodic nature of consistent action and tension scaling.

The elements of historic context, particularly the unrest and uncertainty for the average citizen around the Bourbon Restoration and the Hundred Days period when Napoleon returned to power, seep the tale in a beclouded world in which horrible tragedy and gripping vengeance can take place.

Finally, the characters, complex with secrets and inter-relational conflict, make monstrous additions more tenable than, say a public figure such as Abraham Lincoln (Vampire Hunter).

Undead Adaptation

So, then, with such a great starting point, does Robinson pull it off? Yes!

The Mummy of Monte Cristo is packed with tons of undead flavor, from the tweaking of historical events to include a near zombie apocalypse to Edmond Dantès’ mummy transformation. I loved the classic mummy monster mechanics such as the use of his wrappings as weapons!

But Robinson didn’t stop there. Nearly every character brings more horror to the table: vampires, cannibals, a life-sucking amulet, dark rituals, death-curses, and so much more. The result is a setting that feels more like an alternate history, a place where everything is a little bit different, rather than a dark corner of our own world where monsters could exist.

And it is all seamlessly integrated into the original tale! A common critique of Pride and Prejudice and Zombies is that the tone is inconsistent; the romance and the zombie action don’t mesh very well. But Robinson pulls it off beautifully in The Mummy of Monte Cristo.

The melodramatic nature of the original lends itself to the adaptation, of course, but the alterations to exposition, dialogue, and action are all so smooth that I could not at first blush identify the point of integration. The presence of monsters or other supernatural elements are a give-away for changes, but Robinson tailored his voice to Dumas’ so that there are no jarring juxtapositions, and I was often in the middle of a scene before I thought, “Well, this wasn’t in the original!”

Humanity

This adaptation is also appropriate for The Count of Monte Cristo thematically. Dantès alienates himself from his humanity while he enacts his revenge, cutting himself off from both society (external) and emotions (internal) and devoting himself to a self-assigned role as an agent of Providence. Thus, “humanity” is an important theme in the original, incorporating ideas of justice, forgiveness, mercy, and hope.

In The Mummy of Monte Cristo, Dantès abandons his humanity literally in order to purse his revenge. However, the thematic thread takes a vastly different path in this adaptation than the original. Whereas the original Dantès regains his humanity through forgiveness, Robinson’s Dantès cannot become human again. He does not forgive Danglars; in fact, Danglars earns the most graphic death in the adaptation.

Neither is the idea of a limit to human vengeance present – an important idea in the original. The quote, “Tell the angel who will watch over your life to pray now and then for a man who, like Satan, believed himself for an instant to be equal to God, but who realized in all humility that supreme power and wisdom are in the hands of God alone,” is not present in any form.

Rather, Dantès is given a new vocation to continue to pursue and defeat “petty and harmful men” and to “make sure there is no possible way for the world to be troubled by the undead again.”

Responsibility

This difference is an important one, but it should not be taken as a commentary on or contradiction of the original theme of vengeance and forgiveness, but rather a completely separate message to a very different audience.

In The Mummy of Monte Cristo, vengeance is part of Dantès’ origin story. Like many superheroes, he awakens to the evil present in the world by first becoming a victim to it and rising to enact vengeance against it. Once that is accomplished, his abilities and awareness make him responsible for pursuing justice beyond revenge.

He himself still needs forgiveness and love, but he does not extend it to evil, nor attempt to rejoin humanity in general. This is a typical motif in modern storytelling (The Myth of the American Superhero) wherein the hero remains apart from society rather that rejoining it (The Hero with a Thousand Faces).

Personally, I found Danglars’ new end thick with Schadenfreude and the idea of additional adventures to come enticing, although it did come at the cost of a moral ideal and stronger theological argument.

Check It Out!

The Mummy of Monte Cristo is a seamless adaptation of a great adventure story into a darker, undead version sure to satisfy your thirst for all things classic horror and bad guys getting what they deserve. If you enjoy Dumas’ original story or the undead genre, this is a must read!

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Review: The Crimson Spark

Publisher Description:

Break the shackles of the mind.

Leo is a boy grieving his twin. Nea is a girl living as a boy to escape her past. Two slaves, carrying the scars of abuse. They form a connection, only to be split apart when their ship arrives in a mysterious and fragmented land, cut off from the rest of the world.

Leo becomes apprentice to a vagabond swordsman and together the two set out to find a stolen weapon locked away in a catacomb city. But what is his new teacher hiding? Tormented by a crippling injury and an anxious heart, Leo must find the strength within himself to keep going despite all that he has lost.

Meanwhile, Nea is conscripted by the Captain of the Royal Guard, who ropes her into the search for a group of men hunting a boy matching Leo’s description. But to Nea’s dismay, the Captain is a woman and Nea must fight past her hateful and damaged mind if she ever hopes to earn her freedom.

When a former child soldier threatens to spark a revolution, Leo and Nea will choose sides. Will they fight to save this cruel land, or punish it? To find the answer, they must confront the horror of the past and fight for the greatest freedom of all, freedom from the fear that rules their hearts.

The Crimson Spark is an emotional and captivating fantasy adventure. A story about innocence lost and righteousness found. A story about how even the most broken souls can be whole together.

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Review: The Crimson Spark by William Hastings

Here at the Periapsis Press blog, we only post reviews of works we recommend, so you already know I enjoyed The Crimson Spark. I encourage you to check it out!

The Crimson Spark is a dark fantasy adventure following young characters on their quest for freedom, hope, and healing. Filled with suspense, vivid action scenes, and rich themes, this first installment of the Vagabond Legacy series is an intense coming-of-age story.

This review contains minor spoilers.

Suspenseful Pacing

The Crimson Spark is paced by secrets and discovery. It doesn’t take long to discover that the main characters Leo and Nea have dark pasts that are influencing their decisions and behaviors, but their specifics are obscured by their traumatic nature that disinclines the characters to confront them. This not only creates interest, but also sympathy for the kids, who clearly need relational safety and healing.

But they are not the only mysterious characters. When Leo and Nea escape from the slavers, the initial antagonists, three individuals representing three different groups come forward to offer help. It is clear to any reader that this is a situation that cannot be taken at face value; someone must have ulterior motives!

The potential for the young characters to fall in with people who don’t really have their best interests at heart and people who can hurt them physical or emotionally deepens with every step of their journey.

Vivid Action

When action explodes on the scene it is detailed and fully realized. The edge-of-your-seat situations are varied and frequent, taking full advantage of the story’s fantasy setting with monsters, moving forests, and magic.

A particular favorite of mine is Leo’s flight from a giant centipede through a maze of catacombs full of people like living dead!

Complex Characters

I ached for Leo and Nea, who have been so hurt and victimized by the people they should have been able to trust. Their pasts make them pitiable, but it is their desire to do the right thing that makes them sympathetic and their resolution to fight for both themselves and others that makes them heroic.

The antagonists are fairly nuanced. The king who used child soldiers in the last war and who allows child slavery and other horrors to perpetuate in his county is not without love and value. Likewise, the people hurt by this state have plenty of reason to rise up against him.

This leads to what I believe is one failing of the story. The primary antagonist Belijhar was a child soldier who survived and has gathered similarly victimized people to overthrow the government and the society that turns a blind eye. I find it unfortunate that this stance is given no reasoned response thematically.

Instead, Belijhar is made more traditionally “evil” by expressing ambitions for world domination via conquest and using illusions to try to manipulate others. Once he is defeated and his illusions broken, his followers lose their revolutionary drive and most surrender, as if none of them cared anymore about the evil they believed they were fighting.

In this way, the story neatly sidestepped confronting their worldview. Since the main characters stood in their opposition, alongside the king, I feel that some kind of statement regarding it was warranted.

Rich Themes

Even acknowledging that, however, The Crimson Spark has a well-developed theme centered around the predation of children. I like to reserve the term “dark” to describe stories that present hopeless situations where good people find themselves trapped and often forced to do bad things. This story certainly has elements of that, but they are woven into a greater tale of hope and healing.

There are three specific situations enacted, allowed, or enabled by the government where children are victimized: child soldiers, child slavery, and sexual abuse of children. the society at large also turns a blind eye to these evils. The scene of the slave market, with people going about their day around it, is a powerful one.

Hastings has managed to craft a really smooth theme around this that appears to be more a consequence of the plot as opposed to artificially injected into the story. It certainly isn’t preachy, but succeeds in drawing forward these topics for consideration.

Personal Responsibility

The story avoids a solution at a government level. Instead, Leo and Nea settle on personal responsibility. Leo asks the king to tell the truth about the child soldiers and accept the consequences that come with that. They resolve to help free the children in slavery where they can rather than following their original plan to flee to a country without slavery.

They both begin the healing process by refusing to be defined by the horrible things that happened to them. They do not cling to their bitterness and (self-) hatred, but look to see themselves in the people who need their help. Leo, in particular, is able to see himself in the antagonist and to feel pity for him.

Discussing the presence of theme makes the story sound heavier than it is. Honestly, it boils down to the tried-and-true fantasy motif of good against evil. Hasting’s characters resolve not to back down and to keep doing the right thing!

Check It Out!

The Crimson Spark is an exciting and thought-provoking read. I look forward to seeing where the rest of the Vagabond Legacy series takes me, both in plot and themes!

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